Alesis Quadraverb Patch Editor

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Alesis Quadraverb Patch Editor

Register your Alesis hardware. Register here using your product's hardware serial number. Your hardware serial number can be found printed on a sticker on the rear or bottom of your product and will be begin with (21). Alesis Quadraverb VS Strymon BigSky (Plate2 matching attempt) - Duration: 3:47. Hovercraft Artifact 6,035 views. The Basics of MIDI: MIDI Controllers For Standard Electric Guitar (Part 6 of. The Quadraverb 2 is a multi-effects processor made by Alesis Corporation and is probably a registered trademark thereof. See our independent review of the Q2. Here are some sysex programs, forwarded by an anonymous contributor, ready to paste right into your WINCAKE.INI file or otherwise be useful. Save alesis quadraverb to get e-mail alerts and updates on your eBay Feed. Search refinements. All Musical Instruments & Gear (32) Pro Audio Equipment (31) Signal Processors/Rack Effects (19) Parts & Accessories (5) Other Pro Audio Equipment (4) Microphones & Wireless Systems (1) Synthesizers (1) Recorders (1). Free Patches in Patch Zone! Midi Quest Pro, Midi Quest and Midi Quest Essentials each include a library of public domain sounds which have been collected, converted to Midi Quest's file format, and freed of duplicates. Jah wobble edge the holger czukay snake charmer rar. This library includes 311 Patches for the Alesis Quadraverb and is a great way to instantly enhance your collection of sonic.
Alesis Quadraverb Pdf
Alesis Quadraverb 2 Manual
Alesis Quadraverb PdfNOTE: Optioncommand replacement dye subs keycap modifier set for mac. If you select a link and your browser shows youa bunch of gibberish, you need to come back here and tell your browserto explicitly download the contents of the link. No machine client for mac. For example, ifusing Netscape Navigator, select 'Save Link As.' with your rightmouse button over the link.
These patches will load into a QV or QV+. I cannot vouch for thememory architecture of the QV GT or the Q2, so I don't know if theywill work there. Try them and let me know!

WARNING from Karl Schmidt: There is a problem with the Quadraverbseries MIDI system exclusive data communications which in very rarecases, can cause the Quadraverb to lock up if there are communicationproblems. Switching the Quadraverb off and on will not fix theproblem. The only way to resolve the problem is to press the programand bypass buttons down as the Quadraverb is turned on, and to holdthem down until the unit displays the edit buffer patch. This willinitialize all programs and settings to their factory defaults. Where do the screenshots go on mac.
Individual patchesEach of these patches is stored in its 155-byte SysEx format. Theyare all set up to load into the EDIT BUFFER, and thus will notoverwrite your programs unless you STORE them. They should beloadable using any generic system exclusive program.Pete Lyall: some original guitar patches.qv90 - Always with me.This was inspired by Joe Satriani's song 'Always with me,Always with you' from the 'Surfing with the Alien' LP.Best if fed by a highly saturated bitey distortion.
qv91 - Fat Rich Funk.Put your amp in a clean channel with lots of high and low EQ (dip themidrange), put your stratocaster in the neck (or combined neck & middle)pickup position, and funk out.
qv92 - Always2.A sweeter variation on QV90. I use this a lot.
qv93 - FatCity Flange.An eccentric wide flanging sound. Probably best for distorted guitar.
qv94 - Tasteful Detune.Really widens the guitar out and gives it personality. Clean ordistorted.
qv95 - PINGPONG DELAY.A variation on the basic pingpong delay. Good for slow, sultry solos.
qv96 - Crunch Rhythm.Just like it says. Feed it a bright distortion, and come out withsomething between a Rockman and a Marshall.
David Grant: two general-purpose drum patches.
Patch BanksEach of these files is 14708 bytes, and contains 100 patches.They are stored in SysEx format, ready for loading.Note! They will overwrite your QV memory.David Haubensack: Four different SysEx banks
 Pete Lyall: Two patch banks that are bundled with the QV patchmanipulation program.
Patch ChartsPete Lyall posted a list of the names of the100 factory preset patchesfor the Alesis MIDIverb III.Patch Tools

WARNING from Karl Schmidt: There is a problem with the Quadraverbseries MIDI system exclusive data communications which in very rarecases, can cause the Quadraverb to lock up if there are communicationproblems. Switching the Quadraverb off and on will not fix theproblem. The only way to resolve the problem is to press the programand bypass buttons down as the Quadraverb is turned on, and to holdthem down until the unit displays the edit buffer patch. This willinitialize all programs and settings to their factory defaults. Where do the screenshots go on mac.
Individual patchesEach of these patches is stored in its 155-byte SysEx format. Theyare all set up to load into the EDIT BUFFER, and thus will notoverwrite your programs unless you STORE them. They should beloadable using any generic system exclusive program.Pete Lyall: some original guitar patches.qv90 - Always with me.This was inspired by Joe Satriani's song 'Always with me,Always with you' from the 'Surfing with the Alien' LP.Best if fed by a highly saturated bitey distortion.
qv91 - Fat Rich Funk.Put your amp in a clean channel with lots of high and low EQ (dip themidrange), put your stratocaster in the neck (or combined neck & middle)pickup position, and funk out.
qv92 - Always2.A sweeter variation on QV90. I use this a lot.
qv93 - FatCity Flange.An eccentric wide flanging sound. Probably best for distorted guitar.
qv94 - Tasteful Detune.Really widens the guitar out and gives it personality. Clean ordistorted.
qv95 - PINGPONG DELAY.A variation on the basic pingpong delay. Good for slow, sultry solos.
qv96 - Crunch Rhythm.Just like it says. Feed it a bright distortion, and come out withsomething between a Rockman and a Marshall.
David Grant: two general-purpose drum patches.
Patch BanksEach of these files is 14708 bytes, and contains 100 patches.They are stored in SysEx format, ready for loading.Note! They will overwrite your QV memory.David Haubensack: Four different SysEx banks
 Pete Lyall: Two patch banks that are bundled with the QV patchmanipulation program.
Patch ChartsPete Lyall posted a list of the names of the100 factory preset patchesfor the Alesis MIDIverb III.Patch ToolsNote that there are toolsavailable for manipulating QV patches.To the QuadraVerb main page
Alesis Quadraverb 2 Manual Gear: Warwick Thumb 4 Bolt-on > SansAmp RBI pre-amp > Carver PM 1.5 power amp > Trace Elliot 1248H cabRBI's fx loop (parallel mode) send > Boss LS-2 [Boss NS-2 [Big Muff pi] > Dunlop 105Q bass wah > Boss PH-2 > Boss CE-2b] > Quadraverb > RBI fx return.I have patches named 'Grudge' and 'OneOfTheseDays' for when I'm messing around with other people's music :)Now, down to the sharp end. I'll not cover the Preamp section in detail, as it's not something I use much. It contains Compression, Overdrive, Distortion, Flat / Presence / Bright modes, Bass boost, Speaker Simulator, Noise Gate & FX loop in/out. Of all the things, the noise gate is the most useful. The distortion is awful - I couldn't get palm muted chunk out of it, no matter how I EQ'd it. Digital Effects: there are seven modes which provide access to various effects in set configurations. You can't have ring modulator and leslie, or sampling and anything else, for example. Many of the effects can be routed so they feed others, and you can select the input source too. For an idea of why that is cool, see the note after Reverb. As a final note, all the various output levels (Direct/Preamp/Delay/Reverb etc) can be tweaked to taste.* Reverb - plate, room, hall, reverse & gated. Very nice, especially in high quality mode. Note: for an amazing effect: feed the reverb from the delay output, mix all the direct signal out & crank the reverb level up.* Delay - mono, stereo, ping-pong & multi-tap (with 8 taps). Lots of options, up to 1500 ms delay. Clean digital sound, as you'd expect, but not tinny or too sharp.* Leslie Speaker - quite nice, especially in stereo mode. Adjustable high freq output, fast or slow modes, stereo spread. Spins up to speed from bypass mode, which is a nice touch!* Chorus - weak in mono. Stereo mode sounds cool through headphones though.* Flange - not too shabby, freaking amazing in stereo mode!* Detune - sounds more like my CE-2b than the chorus mode for some reason!* Phaser - lacking in character. Not as fast or deep as a Boss PH-2, so better for subtle effects.* Equalization - 3 band para, 5 band para or 11 band graphic, depending on configuration. The graphic mode is very nice for fine tuning your sound. Hissy guitar? Roll off a little of the 16kHz. * Panning/Tremolo - panning sounds okay, but the tremolo won't do square-wave sounds. I love that gated LFO sound you get in electronica (and can get amazingly close to with a tremolo, big muff & wah pedal) so this is pretty much unusable for me.* Ring Modulator - tunable (0-300 hz), and you can pick how much up or down signal you want in the output. I like it, but I've never owned a vintage ring mod so I have no bias :) * Resonators - a set of 5 filters that can be tuned (in semitones) 2 octaves below or 3 octaves above the incoming signal. Now, this sounds great on paper, but the actual effect is quite weak & only succeeds in making distorted sounds appear to be in a tunnel. Setting all 5 resonators to -1 octave does not result in an octaver sound, nor is it possible to make your bass/guitar sound like a synthesizer.* Sampling - better than a DD-3 by 700 ms. A whole 1.5 seconds of sampling time isn't much use. You can play a very short riff, or some high tremolo picked drone. The neat part is that it can be set to loop indefinitely, or work off an audio or midi trigger. It's the audio trigger that should interest the casual player. You can walk a bass line under a simple melody, and it actually sounds good.My overall rating is a 7 - it loses 1 point for the sub-par chorus & phaser, 1 point for the seemingly useless resonators & 1 point for all the shite in the pre-amp section that makes it also essentially useless (therefore, if this was the Quadraverb Plus on which the GT is based, I'd give it an eight). 